The topic of this page has a wiki of its own: The Bill.
The Bill is a police procedural television series that was broadcast on the ITV network from 16 October 1984 until 31 August 2010. The programme originated from a one-off drama, entitled Woodentop, which was broadcast in August 1983. Until 16 July 2009, The Bill was broadcast twice a week, on Wednesdays and Thursdays, in a one-hour format. In its final year on air, The Bill was broadcast once a week, usually on Tuesdays or Thursdays, in a one-hour format.
Plot[]
The programme focused on the lives and work of one shift of police officers, rather than on any particular aspect of police work. At the time of the series' conclusion, The Bill was the longest-running police procedural television series in the United Kingdom, and was among the longest-running of any British television series.
The series was produced by Thames Television. The series name originated from "Old Bill", a slang term for the police. This was also Geoff McQueen's original title idea for the series, before he eventually decided on "The Bill".
Throughout its 27-year run, the programme was always broadcast on the main ITV network. In later years, episodes of the show were repeated on ITV3 on their week of broadcast. The series has also been repeated on other digital stations, including Gold, Alibi, Watch, Dave, and Drama. In March 2010, executives at ITV announced that the network did not intend to recommission The Bill and that recording on the series would cease on 14 June 2010. The last episode aired on 31 August 2010.
Themes and title sequences[]
- The series' pilot episode, Woodentop, featured a short theme composed by Mike Westergaard that was used specifically for the episode and never used at any other time during the main series. The episode's title sequence consisted of the word Woodentop being spelt out letter-by-letter, as if it were being typed out on a typewriter.
- The first-ever opening sequence of The Bill was first seen in the episode "Funny Ol' Business – Cops & Robbers". The sequence consisted of two police officers, one male and one female, walking down a street while images of Sun Hill were interspersed between them. This sequence was used for the first series only. It featured the first version of the iconic theme tune, "Overkill", composed by Charlie Morgan and Andy Pask. The theme is notable for its use of septuple meter. The end titles of the series simply showed the feet of the two police constables pounding the beat.
- In the show's second series, the opening sequence consisted of a police car, a Rover SD1, racing down a street with its siren wailing and its blue light flashing. The car would screech to a stop, and the camera zoomed in on the blue light. Various clips were then shown from the series of the characters in action, often chasing suspects. This sequence kept the first version of "Overkill", and also used the same ending credits from series one. This sequence was also used in the third series.
- Starting with series 4, the opening sequence was kept generally the same, but the clips used were regularly updated to remove departed characters and keep current with the show's events. Minor changes to the sequence included the Rover SD1 changing into a Ford Sierra in 1993, which was replaced by a Vauxhall Vectra in 1997. In the 1997 sequence, the Vectra was seen overtaking a Leyland Titan bus, before screeching to a halt, and the main sequence starting. The end credits remained the same, but a new version of "Overkill" was used, also composed by Andy Pask and Charlie Morgan.
- On 6 January 1998, starting with "Hard Cash", the third episode of the show's 14th series, the title sequence and theme used for nearly 10 years were scrapped. This time, the title sequence consisted of various police procedural images, including a suspect being shown into a police cell, another suspect being interviewed, and a third posing for mug-shot photographs. Clips of any actors featured were removed, as was the initial sequence involving the police car racing down the street. Mark Russell revamped "Overkill", giving it a jazz feel, with the majority of the theme played by a saxophone. The end credits of the series were also completely revamped. This time, the credits featured various images of the Metropolitan Police uniform, combined with images of feet tapping on a kerb. A longer version of "Overkill," composed by Mark Russell, was also used in the final credits. These opening and closing sequences were used for nearly three years, although both saw minor updates on 11 February 1999. The text sequence at the very start of the opening sequence was changed into a different font, and the images of the police uniform and feet tapping on a curb were removed from the closing sequence to make way for a preview of the next episode. The closing sequence remained this way until 16 February 2001, but the opening titles were once again updated in September 2000 to remove certain images from the sequence to make it shorter. It is also noted that during this period, a 'previously on The Bill' segment was aired before the title sequence, to inform viewers what had occurred in the last episode.
- On 20 February 2001, starting with "Going Under", the 14th episode of the show's 17th series, the opening and closing sequences were again scrapped to make way for a completely new sequence and theme. This time, the opening credits sequence consisted of a montage image of the entire cast, backed by a darker, slower version of "Overkill". The closing credits featured a montage of various police-related images, also backed by the new version of "Overkill". The opening credits sequence was designed by the visuals company "Blue", and the new arrangement of "Overkill" was produced by Miles Bould and Mike Westergaard. These titles remained essentially the same for two years, with two small updates. The font used on the closing credits was changed towards the end of 2001, and the characters featured in the opening credits sequence were updated in May 2002, to remove characters who had departed, and include new characters. These titles were broadcast from Episode No. 017, and are notable as several of the characters in these titles had not yet appeared in the show. DS Samantha Nixon appeared in the titles from Episode No. 017, but did not first appear until Episode No. 038, some four months later.
- On 26 February 2003, starting with Episode No. 091, the opening and closing sequences were once again updated. This time, the opening credits sequence consisted of several generic police images, such as a police car and uniform. A new arrangement of "Overkill", composed by Lawrence Oakley, was also used for both the opening and closing sequences. The background of the closing sequence, designed by company "Roisin at Blue", was simply a police shade of blue, with all generic images being removed. Throughout its four-year use, these titles were never updated or changed, with the exception of the police shade of blue, which was changed to a dark shade of black in 2006.
- On 3 January 2007 to bring in the new year, starting with Episode No. 471, the opening and closing sequences were once again changed. This time, the opening credits sequence, for the first time, features an image of the Sun Hill sign, and returns to featuring images of officers in action. This sequence also featured a further new arrangement of "Overkill", once again arranged by Lawrence Oakley. This time, the closing credits sequence follows a police car on patrol, watching it as it drives through the streets of Sun Hill. These titles were used for nearly two and a half years.
- On 23 July 2009, after the programme underwent a major overhaul, the opening sequence and theme were heavily changed. This time, the classic "Overkill" theme was completely removed, and a new theme created by Simba Studios was used. However, producer Jonathan Young stated that echoes of "Overkill" can still be heard in the theme. The opening credits sequence featured a patrol car driving through the streets of Sun Hill. The closing credits sequence follows the same patrol car, however, this time, from an overhead view. These titles remained the same until the show's final episode, where the theme tune was replaced by a final version of "Overkill", in homage to the show.